Wow! What a show! People were on their feet from the opening note and stayed dancing for the next two hours.
Expectations were pretty high, but boy did the Boys deliver. It was if a giant herd of rainbow flag-draped disco dancing musical unicorns pranced onto the stage of the Royal Opera House and rubbing their silver sparkling horns together spunked out torrents of shiny disco balls of pure pop loveliness that then exploded into the ears of the delighted crowd.
The background visuals were so stunning and the laser light show so joyously bright that when it splattered its love-light across the smiling faces of each and everyone in the auditorium it was like some multi-coloured glowing rainbow luminous bukaki.
As you might have guessed. I liked the show.
The Boys were simply in magnificent form - interacting with the crowd between the songs (well, Neil anyway) - in fine voice (well, Neil anyway) - dancing around the stage (well, Neil anyway) - and wearing stupid hats (OK, they BOTH did that!) It was everything you expected from a Pet Shop Boys show and more.
It was like their Imperial phase was back all over again. They owned the place!
And after all this time they know how to put a show together - they work with the best. The set design, the background visuals, the sound design were all amazeballs and hung together magnificently. The show had a real feel of being integrated. Something you don't always see in a gig. But here it all had a single vision and it all came together perfectly. And this vision was DISCO.
The Boys managed to pull off that difficult trick of getting the set list right too. With such a large back catalogue to choose from and with new work to promote you're never going to please everyone. But they seemed to give the occasional fan plenty of hits, promote their two most recent two albums quite well and keep the hard-core Pethead on-board too.
And you don't always know what is going to work live. Even on paper you think something might work better than it did on the night. For example one of my personal favourite songs from the new Super album is The Dictator Decides. But this didn't really work live - the vocal got rather lost - whereas The Sodom and Gomorrah Show (an album track from ten years ago) went down as an epic sing-a-long storm.
Let's hope that when the third of the triplet of Stuart Price produced albums appears in the next couple of years the Boys promote it in a similar way with a really big arena show. Because this was a super Super show and we deserve an encore on an even bigger stage.
We love the Pet Shop Boys.
(Oh wait, I forgot mention the stage flooding with dancers wearing brightly coloured inflatable fat suits... Next time!)
High point: Vocal
Higher point: Burn
Highest point: New version of Left to My Own Devices
Inner Sanctum (Live debut)
West End Girls
The Pop Kids
In the Night (Live debut)
Burn (Live debut)
Love Is a Bourgeois Construct
New York City Boy
Se A Vida É (That's The Way Life Is)
Twenty-something (Live debut)
Love Comes Quickly (First time since 2010)
The Dictator Decides (Live debut)
Inside a Dream (Live debut)
Winner (First time since 2012)
Home and Dry (First time since 2007)
The Sodom and Gomorrah Show (First time since 2007)
It's a Sin
Left to My Own Devices (New version)
Go West (Village People cover)
Always on My Mind (Brenda Lee cover)
The Pop Kids (Reprise)