Last Saturday night Stuart and I went to see Korean erotic psychological thriller The Handmaiden at The Screen on the Green in London's glitzy Islington.
Based upon Sarah Waters novel Fingersmith the twisty plot has been changed from Victorian era Britain to Korea under Japanese colonial rule.
Under Park Chan-wook's direction the film is visually sumptuous and absorbingly idiosyncratic. It's at times sexy, often funny and at one point toe-curling horrific.
Recommended.
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